READ MOREA City in Practice: The Lubumbashi Biennale (2008-2024)
Kim Gurney, Senior Researcher at the CHR, is a contributing author for the first comprehensive publication on the Lubumbashi Biennale, a newly released book that traces relations between the city, its growing art scene and collective practice. READ MOREENGAGE/REFLECT/CREATE: Encounters Film Screenings, Master Class & Panel Discussion at the CHR.
The CHR and Encounters will be hosting a film screening and master class with Brendan Canty on Monday, 21 September 2026, followed by a film screening and panel discussion on Tuesday, 22 September 2026 as part of ENGAGE/REFLECT/CREATE: The CHR-Encounters monthly screening programme.READ MORESolo Showcase, Andile Yenana in Conversation with Valmont
The CHR and Jazz in the Native Yards will be hosting Andile Yenana for a Solo Showcase on Wednesday 23 September at Iyatsiba Lab.
My history of madness in the Belgian Congo will rely on tracking transactional, micro, and urgent documents as gestures. These promise to open “spheres of ethos,” with human riddles, forms of upheaval, and violence (Agamben 1992).
Contemporary Black female artists have reclaimed the everyday labor and domestic motions women have historically performed, as artistic gestures in their own right. For example, the ceramic and bronze sculptures of the African-American artist Simone Leigh have referenced vernacular processes like washing chores and needlework.
In April 1964, the Irish Anti-Apartheid Movement (IAAM) was launched in Dublin by Kader Asmal, a South-African professor of law in Trinity College. Lobbying for improved human rights and liberation in South Africa, the Movement raised awareness of the racism experienced by communities and campaigned for the release of political prisoners.
We are delighted to announce that Undoing Apartheid by Premesh Lalu has been translated into Turkish and published by Afrika Vakfi Yayinevi. See below for more information about Undoing Apartheid and its Turkish translation, Apartheid’ı Ortadan Kaldırmak.
Join us for a screening of Dublin Short a short documentary capturing the magic of the Little Museum of Dublin's famous guided tour. The screening will be followed by a Q&A with Dr Daryl Hendley Rooney, deputy curator at the Little Museum and visiting researcher on the Charlotte Maxeke-Mary Robinson Research Chair.
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
Lauren van der Rede is currently a Lecturer in the Department of English at Stellenbosch University, South Africa, and is the PI of the Perforated Memory research project.
The New Archival Visions (NAV) programme at the Centre for Humanities Research (CHR), University of the Western Cape (UWC), is offering fellowships for the remainder of 2025. Funding support comes from the Department of Higher Education and Training (DHET).
The Centre for Humanities Research (UWC) and the Encounters South African International Documentary Film Festival cordially invite you to the second session of ENGAGE/REFLECT/CREATE: The CHR-Encounters Documentary Series, a monthly screening programme which will run until December 2025.
We are delighted to announce that New Archival Visions Fellows, Ingrid Masondo and Tammy-Lee Lakay, have been awarded Next Generation Social Sciences in Africa Proposal Fellowships with the Social Sciences Research Council (SSRC).