May 28, 2025
A Conversation in the Humanities in Session Series at the Centre for Humanities Research, part of the Advanced Research Seminar.
May 21, 2025
The Artists Forum, convened at the Centre for Humanities Research, emerges out a longstanding conversation between artists and academics working in and through the CHR.
May 20, 2025
The CHR is pleased to announce the publication of a chapter by Kim Gurney in an edited volume about architecture and islands, Instituting Worlds. The book, edited by Catharina Gabrielsson and Marko Jobst, is published by Routledge.
May 16, 2025
A Conversation in the Humanities in Session Series at the Centre for Humanities Research, part of the Advanced Research Seminar.
May 7, 2025
The CHR’s Premesh Lalu will be giving the annual African Studies Lecture at the African Studies Centre, Oxford University, on Monday 12 May.
April 30, 2025
It’s National Archives Week.
April 23, 2025
The Faculty of Engineering, Built Environment, and Information Technology (FEBIT) under the tutelage of Prof. Wendy Setlalentoa, acting Deputy Vice-Chancellor Research Innovation and Engagement, recently kicked off its first workshop for the Research Centre on Human-Technology Interaction (CHTI).
April 23, 2025
A Conversation in the Humanities in Session Series at the Centre for Humanities Research, part of the Advanced Research Seminar.
April 9, 2025
We are proud to announce that Ukwanda Puppets and Design Arts Collective will be joining ‘The Herds' as they travel with life-sized animal puppets from Kinshasa to Norway.
April 3, 2025
The CHR is pleased to announce that applications for the 2026 African Critical Inquiry Programme (ACIP) workshop and Doctoral Research awards for 2025 are now open.
April 3, 2025
The Centre for Humanities Research at the University of the Western Cape and the Centre of Excellence for Black Planetary Studies, Institute for Social and Health Sciences, UNISA, invite you.
March 27, 2025
Erica Fretwell's Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling (2020) raises crucial questions about the making of a concept of difference through marshaling the senses to the ends of a sensory order in postbellum United States.