
Kim Gurney
Senior researcher, Digital Arts
Kim Gurney is a Senior Researcher in the NRF/British Academy SA-UK Bilateral Digital Humanities Chair in Culture and Technics at CHR. Her expertise spans contemporary art, urban studies and journalism/ media, specialising in issues around public space.
Kim has published four single-author books (listed below) making correlations between art and everyday life to surface novel insights about fast-changing cities of the South – most recently, ‘Flipside: The Inadvertent Archive’ (2024). Broader preoccupations concern art and value, or why art matters as a vector of politics and poetics, and the significance of artistic thinking for other fields and contexts.
Kim’s research over the past decade has largely focused upon ‘offspaces’ as urban indicators and generative sites of understories and social imaginaries — artist collectives, artisanal workshops, artist studios, urban commoning, and overlooked archives. She reads against the grain for lesser known voices that may be obscured, a sensibility informed by a former life as a journalist before pivoting into the artworld.
Kim is still a writer at heart. She increasingly approaches publishing as part of an expanded artistic practice that concerns disappearances and making restorative gestures. Notable curated shows are ‘Sounding Out’ at the Bag Factory (2012), which included sound artworks broadcast on a pirate radio station, and ‘Cape Town Under: The Third Voice’ (2013), a collab with Pauline Theart comprising site-specific lullabies performed from tunnels and permeating public space above through manhole covers and a trapdoor. Kim has held two solos, participates annually on group shows and runs ad hoc a nomadic platform, guerilla gallery.
Kim previously worked at CHR in different research capacities for a cumulative five years, and was a Research Associate at African Centre for Cities (University of Cape Town) for over a decade. She is currently an external expert for the European Commission on public space for citizen engagement.
Key publications:
- ‘Flipside: The Inadvertent Archive’ (2024, iwalewabooks) explores half a century of documents in a paper archive belonging to Cape Town’s longest running arts association and non-profit gallery, the Association for Visual Arts (AVA);
- ‘Panya Routes: Independent art spaces in Africa’ (2022, Motto Books) makes correlations between artistic strategies and everyday city life to propose five key working principles that pan-African independent art spaces hold in common in their DIY-DIT institution building;
- ‘August House is Dead, Long Live August House– The story of a Johannesburg Atelier’ (2017, Fourthwall Books) follows the trajectories of artworks and residents to render the entangled inner life of a studio building as a lens on uncertainty and larger urban transformation; &
- ‘The Art of Public Space: Curating and Re-imagining the Ephemeral City’ (Palgrave Macmillan, 2015) follows a trilogy of artistic explorations of public space, New Imaginaries – through walking (‘Shoe Shop’), new media (A.Maze festival, now Fak’ugesi) and performance art (‘In House’ and ‘African United Utopias’) – to posit ideas around common space and a riposte to art’s financialisation.
Research outputs: https://orcid.org/0009-0008-9463-0738
More info: www.linktr.ee/kimjg