‘Sensory Experiments, Sensory Orders, and Aesthetic Education’, by Premesh Lalu.
Erica Fretwell's Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling (2020) raises crucial questions about the making of a concept of difference through marshaling the senses to the ends of a sensory order in postbellum United States....
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'Unseating Mastery: The University and the Promise of the New’, by Premesh and Erich Hörl
This conversation between Erich Hörl and Premesh Lalu draws on their extended conversation on efforts to link discordant temporal and spatial encounters with the idea of the university and how, more importantly, to care for the future of its educational responsibilities....
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Waystations of Desire: From Infrastructural Critique to Anticolonial Praxis, by Nancy Luxon
Modernity finds itself in a dissociated state, that is, unable to attach its social energies and political desires to a political vision that resonates and coheres....
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Join Prof. Patricia Hayes for “Photographs and the Long Inception of Colonialism in Southern Angola,” a lecture hosted by the Institute of the Humanities and Global Cultures (IHGC) at the University of Virginia.
Prof. Patricia Hayes and Dr Valmont Layne investigate how UWC can revitalise its archival holdings for preservation, teaching, research access, and public programmes.
CHR Artist in Residence Juan Orrantia will present his ongoing artistic work “Everything that was made was not destroyed, but also does not exist” at the South African Contemporary History and Humanities Seminar on 14 September 2021.