‘Sensory Experiments, Sensory Orders, and Aesthetic Education’, by Premesh Lalu.
Erica Fretwell's Sensory Experiments: Psychophysics, Race, and the Aesthetics of Feeling (2020) raises crucial questions about the making of a concept of difference through marshaling the senses to the ends of a sensory order in postbellum United States....
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'Unseating Mastery: The University and the Promise of the New’, by Premesh and Erich Hörl
This conversation between Erich Hörl and Premesh Lalu draws on their extended conversation on efforts to link discordant temporal and spatial encounters with the idea of the university and how, more importantly, to care for the future of its educational responsibilities....
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Waystations of Desire: From Infrastructural Critique to Anticolonial Praxis, by Nancy Luxon
Modernity finds itself in a dissociated state, that is, unable to attach its social energies and political desires to a political vision that resonates and coheres....
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The CHR is excited to share the following announcement by the Zeitz Museum of Contemporary Art Africa (Zeitz MOCAA) and the University of the Western Cape as they launch a year-long fellowship programme.
CHR Artist in Residence Tony Bonani Miyambo confronts the momentous challenges facing theatre makers with his solo show Commission Continua, performed online for the 2021 National Arts Festival.
The South African Contemporary History and Humanities Seminar invites you to a discussion of Rinaldo Walcott's The Long Emancipation on 17 August 2021.
“When Nights are Dark” is part of The Walk – a travelling festival of art and hope in support of refugees, with Artistic Direction from Amir Nizar Zuabi and presented by the Jungle, Good Chance, in collaboration with Handspring Puppet Company.